05.01.2016 evening Pierre Boulez passed :-(((((((((((((((((((((((((((((((((((((. 11.01.2016 I have heard his beautifull 12 notations for the first time. That is to say, he didn´t pass.

Boulez said, that 12-tone row necessarily became an obstacle to creativity. And that as a noncreative combinatorial axiomatisation it was useless (death of the author). I think, that he denied it by his initial work.: 12 notationsTrois psalmodies, Piano sonata 1, Piano sonata 2, Structures.

Intentional tonality to atonality connection from Le Marteau sans maître did not achieve the serialist purity and strength, to which I want to return to find new sequel. (Although his post-serial pieces were, of course brilliant, for example. Explosante-fixe).

It reminded me the same approach in mathematics by Frege, when he reduced the mathematical expressions as redundant to the epistemological results. But the operation and the result cannot be divided. As soon as we do it, it is allready something different.


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